However, while the words have changed, it is basically what Donald Clifton writes about in Soar with Your Strengths.
While neither book does much to back up their point with any evidence as they lack any real research, the Parable of the Rabbit, from Clifton's book, is perhaps the most interesting part of the two books and more than likely all you need to read to understand what both authors are driving at.
However, the real point of the post is the way Crammer and Wasiak's book is designed -- pictures fill up the pages just as much as the text, if not more. While I like a good picture to help understand or reinforce the text, it seems that Change the Way You See Everything goes beyond this. While beautiful to look at, it seems, well, quite gimmicky. Many of the photos do nothing to help understand the book.
Change the Way You See Everything
Perhaps the one book that pulled this off successfully was McLuhan's The Medium is the Massage, who uses pictures to create a montage demonstrating the effects of the media.
The Medium is the Massage
This typographic experimentation by authors can be quite good at times, such as Rick Moody's The Diviners. While the book was only so-so, the author blocked out a page of text to depict a page read by a character that has itself been blocked out, leaving only the words "such" and "thirst."
The Diviners
If the visual carries the same narrative weight as the text itself, then it often becomes superfluous, and if it replaces the text, then it almost seems to become a shorthand for language itself. Yet if the author is successful with the visual, then it works in parallel with the text to promote understanding. As a learning designer, how do you know when to use a visual? And when do you know to stop before it comes to the point of being gimmicky?